Tuesday, April 19, 2011

Hawaiian Monk Seals

http://www.islandconservation.org/slideshow/

Also April 8th Gibbons: Silver Swan Peter Maxwell Davies: An Orkney Wedding, with Sunrise

http://www.arkivmusic.com/classical/Playlist?source=KUSC&composer=Orlando%20Gibbons&work=Silver%20Swan&label=AmerGram&catalog=500

need every song on this album above beautiful titles
*Draw on sweet night by John Wilbye*
http://www.youtube.com/watch?v=uxT-qait3ZM 
perfect artful video too
 01/22/2002
Isaac Albeniz: Suite Espanola: Asturias
http://www.arkivmusic.com/classical/Playlist?source=KUSC&composer=Isaac Albeniz&work=Suite Espanola%3A Asturias&label=Telarc&catalog=80 
 http://www.arkivmusic.com/classical/Playlist?source=KUSC&composer=Dave%20Roylance&work=Evening%20Tide&label=Conifer&catalog=15008
5:01 pm Dave Roylance: Evening Tide


.  An Orkney Wedding, with Sunrise by Peter Maxwell Davies
http://www.arkivmusic.com/classical/album.jsp?album_id=177677
 

**Musica Barocca** Archlute Canon and Gigue for 3 Violins and Basso

http://www.arkivmusic.com/classical/Playlist?source=KUSC&composer=Johann%20Pachelbel&work=Canon%20%26%20Gigue&label=Teldec&catalog=85557
Canon and Gigue for 3 Violins and Basso Continuo in D major by Johann Pachelbel 
 2;30
this version is unique hated it in first moments too fast , then a bit blue graasy, loved then unique and sparkling finish NEED



2.35  beginning of Ghostbusters 1 NY moodiness 
Antonin Dvorak: Symphonic Variations Op 78
 http://www.youtube.com/watch?v=ZnAQtX_9Boo

Tuesday, March 8, 2011

Sunday, March 6, 2011

Andrea Keller Quartet





http://www.extempore.com.au/?page_id=1126


‘The Rain Outside’ begins with the extraordinary: Talia’s delicate, spacious smatters & patters of clocks and breaking glass. Rising from these skittish sounds Slater, unleashes, trumpestuous: the world turns; the ground shifts and shifts, caving, until the rain outside is the rain inside.

The Incredible View’ shares with ‘For Bernie’ something of the same tonal quality: a hinting & restrained Magnusson plumbs and sounds the depths with a lurking sense of yearning melancholy.  The magnified ensemble accompaniment swells magnussonic, and Keller’s propulsive piano outgrabes.



Soup Tin Baby’ is the first of two for this Quartet. Keller creeps from an Escheresque undergrowth Ascending and Descending, skipping & tripping as a hovering bird-like Ball comments and calls, frenzies pips and squeaks, outwrests with rasped abandon.  On they fly.


Smells Like Music’ hits the ground running as if it couldn’t (& shouldn’t) stop.  Bookended within seriously coordinated abracadabracketry, this is whiffling Whitehurst’s wend, which burbles and shines and bends.  And so, it Ends.